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The film has a cheap minimalistic feel, although this adds to the theme of two men who are always trying to grasp at anything that comes their way.

Fable and fact make an uneasy mix.

The oddities don't add up to anything and the love story between Adam and Helene is as predictable as it is sad.

Berg's dilemma requires him to try and solve logical and ethical puzzles, and cannot be alleviated through the easy process of having him find Heisenberg likeable.

Possibly the best British film of the year.

The film's only real crime is perhaps that it celebrates the life of Edie rather than Andy, and does that not particularly well.

It has all the hallmarks of a production destined for a television mini-series with apparently three other chapters promised by Costner.

In the literal act of performance there is room to talk about self as performance, and that is where High-Rise is strongest.

The latest piece of gangland roughage is suitably violent, with a who-gives-a-monkeys attitude.

Hunnam gives a compelling performance as a man railing against the bigotry of his time, and yet simultaneously embodying it as a white explorer in a place already well-known to its inhabitants.

As a road movie it is surprisingly static

In casting its net My Mother's Wedding has just a few too many gaps.

A really enjoyable yarn in the Princess Bride mold, told with panache.